ERIC GALES SCORES BEST CONTEMPORARY BLUES ALBUM GRAMMY® NOMINATION AT THE 68TH ANNUAL GRAMMY AWARDS® FOR “A TRIBUTE TO LJK”

Eric Gales’ latest release, A Tribute to LJK, isn’t just a new album — it’s a statement of legacy as the 68th GRAMMY® Awards approach. Centered on the music of his late brother Little Jimmy King and supported by elite collaborators, the project captures why so many guitar heavyweights continue to call Gales one of the best in the game.

Photo courtesy of Eric Gales © www.ericgales.com

Eric Gales has never belonged to the margins of blues-rock — even when the industry tried to place him there. His career has unfolded as a study in raw ability, survival, and artistic truth, shaped as much by hardship as by heritage. Few guitarists can claim a voice so instantly recognizable, and fewer still can carry that voice through decades of transformation without diluting its power.

Raised in Memphis, a city where blues is less a genre than a way of breathing, Gales was immersed in music before he fully understood it. He began playing guitar at the age of four, guided by his older brothers Eugene and Manuel — Manuel later known to the world as Little Jimmy King. From the beginning, Eric’s relationship with the instrument defied convention. A left-handed player who strings his guitar upside down, Gales didn’t adapt to the rules — he rewrote them, instinctively shaping a style that felt inherited rather than learned.

That early brilliance propelled him into the spotlight in the early 1990s, when he emerged as a prodigy with a sound far beyond his years. Yet talent, especially at a young age, often arrives without a map. What followed were years marked by personal battles, addiction, and incarceration — chapters that stalled his momentum but never erased his gift. For Gales, survival became part of the music, and time became his collaborator rather than his enemy.

Today, Eric Gales stands not as a comeback story, but as a fully realized artist — one whose work carries the weight of experience. Revered by peers and guitar icons alike, he has been publicly praised by Joe Bonamassa, Dave Navarro, and Mark Tremonti, among others, all of whom recognize him as a generational talent who refuses to be boxed in. Even his lineage reflects the scale of his influence: Carlos Santana, a guitarist who himself reshaped modern music, is Gales’ godfather — a symbolic link between eras of innovation.

That sense of lineage sits at the heart of Gales’ latest release, A Tribute to LJK. While sonically modern and emotionally immediate, the album is rooted in remembrance. It honors the life and music of Little Jimmy King, who passed away suddenly in 2002 at the age of 37. Like Eric, Jimmy was a left-handed, upside-down guitarist, and his approach fused Memphis blues with funk, soul, and rock in a way that was fierce, expressive, and deeply human.

Rather than reinterpret his brother’s work from a distance, Gales chose immersion. Nearly every track on the album originates from Little Jimmy King’s own compositions, reframed through Eric’s perspective and maturity. The record does not attempt to modernize the past — it allows the past to speak through a present voice, preserving its urgency while expanding its reach.

“This record wasn’t about nostalgia,” Gales has explained. “It was about respect. I wanted to make sure my brother’s music lived on, not as a memory, but as something alive and powerful.”

The project’s collaborative spirit reinforces that intention. Guest appearances from Christone “Kingfish” Ingram, Josh Smith, Joe Bonamassa, and blues legend Buddy Guy feel less like features and more like acknowledgments — a collective salute to both the music and the bloodline behind it.

As the 68th GRAMMY® Awards approach, Gales finds himself once again in a competitive field, alongside respected contemporaries such as Samantha Fish, Robert Randolph, and Southern Avenue. Yet A Tribute to LJK occupies a different emotional space. It is not a strategic release — it is a personal one, shaped by decades of reflection and resolve.

Offstage, Gales continues to be a commanding live performer. His international touring schedule throughout 2025 included numerous sold-out dates, with audiences responding not just to technical brilliance, but to the emotional honesty that now defines his performances. Each show feels like testimony — to loss, survival, and creative freedom.

His accolades tell only part of the story. Albums such as Bookends and Crown reached number one on the Billboard Blues Charts, earning him multiple Blues Music Awards. He has received the key to his hometown and other major cities, and his name now sits permanently on Beale Street — a fitting tribute for an artist whose sound is inseparable from the city’s legacy.

Gales’ artistic reach has also extended into film. In 2025, he contributed striking guitar work to the score of Sinners, composed by Ludwig Göransson. Tracks like Grand Closin’ and Elijah demonstrate his ability to translate blues language into cinematic emotion, seamlessly blending guitar expression with orchestral storytelling — a crossover that hints at yet another chapter in an already expansive career.

No stranger to GRAMMY® recognition, Gales was previously nominated in 2022 for Crown. As February 1, 2026 approaches, the outcome remains uncertain, but the significance is already clear. Eric Gales no longer measures success by moments of validation. His work now speaks from a place of certainty — rooted in heritage, sharpened by experience, and delivered with unmistakable authority.

Eric Gales is not chasing relevance. He is defining it — on his own terms, with nothing left to prove and everything left to say.

Rooted in memory yet firmly anchored in the present, A Tribute to LJK represents a defining chapter in Eric Gales’ evolving story. The album captures not only the musical legacy of his late brother, but the clarity of an artist who has survived, endured, and emerged with purpose intact. As Gales balances renewed GRAMMY® attention with an expanding creative reach that now includes film and orchestral work, he remains deeply connected to the emotional core of the blues. In the conversation that follows, Gales reflects on loss, recognition, and the responsibility of carrying a family legacy forward through sound.

Scroll down for the full Eric Gales interview:

Tell me what it is about this project – “A Tribute to LJK”, that makes it so special.
EG: Its special to me because it’s a snapshot of the memories of my late brother, through my lenses of some if his songs that are dear to my heart.

Tell me what it means to you to be a Grammy nominee for the second time?
EG: Being nominated for a 2nd time is just as humbling and exciting as the first time. It is a huge honor to be nominated period. It’s amazing.

Tell me what it will mean to you to win this nomination?
EG: When I hear, and the winner is Eric Gales! It will be an ultimate rush of gratitude to the highest degree. Getting closer to the day, I am getting more nervous by the day.

Tell me how your music changes lives?
EG: I can only give my perception from what people have conveyed to me that changed their outlook on certain things. As well as people telling me when I performed a rendition of someone else's music, they never imagined this song being done that way. Blues music in general touches everyone emotionally, so if my music touches 1 person I am happy.

Talk about your proficiency in blues guitar and how you were able to get to the level that you’re at today.
EG: I just never gave up, always uphill battles. I don't really have a choice, honestly this is all I know, I am a consummate musician through and through. Also, I am constantly hearing things that inspire me and connecting to them, as well as applying it to my guitar playing. I grew up on this kind of music, and continuing to strive as much as I can, and let the rest handle itself.

You worked on the film “Sinners” which just got nominated for the most Oscars ever – 16 nominations, what does this mean to you?
EG: Yes, I was featured in the film “Sinners” Original Motion Picture Score, alongside genius composer, Ludwig Goransson, known for his work on films like Black Panther and Oppenheimer. “Grand Closin,” which features my guitar work as part of the bluesy finale for the film's score, and “Elijah”, showcases my instrumental blues guitar skills, blending them with the orchestral score, alongside other collaborators like Christone "Kingfish" Ingram and Lars Ulrich, bringing his powerful riffs to the soundtrack for the film Michael B. Jordan-starred in. This is all a first, I am just so excited, to be part of this amazing film, I can’t even imagine.

Where do you see your music in 5 years?
EG: By simply continuing to do more of it, music outside the norm – such as movie scores and other things that brings awareness to the legacy of who Eric Gales is!

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With a career shaped by resilience, reinvention, and raw musical honesty, Eric Gales remains a defining force in blues-rock today. A Tribute to LJK is not an ending, but a continuation — proof that legacy, when carried with intention, can still feel urgent and alive.

Stay in the loop with Eric Gales’ music and legacy — check out https://www.ericgales.com/ for more.

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